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-rw-r--r--content/brain-rot/anime/_index.md19
-rw-r--r--content/brain-rot/anime/attack_on_titan_anime.md86
-rw-r--r--content/brain-rot/anime/dragon-ball/dragon-ball-super-super-hero-2022.md82
-rw-r--r--content/brain-rot/anime/patlabor/_index.md28
-rw-r--r--content/brain-rot/anime/patlabor/mobile-police-patlabor-the-early-days.md72
-rw-r--r--content/brain-rot/anime/patlabor/patlabor-2-the-movie.md129
-rw-r--r--content/brain-rot/anime/patlabor/patlabor-the-movie.md98
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diff --git a/content/brain-rot/anime/_index.md b/content/brain-rot/anime/_index.md
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-+++
-title = "Anime"
-author = ["Michał Sapka"]
-date = 2024-05-08T16:50:00+02:00
-categories = ["brainrot"]
-draft = false
-weight = 3001
-primary_menu = "brain-rot"
-abstract = "Amime"
-menu_order = "name"
-[menu]
- [menu.brain-rot]
- weight = 3001
- identifier = "anime"
-+++
-
-{{< menu "brain-rot-anime" >}}
-Dune
-{{< /menu >}}
diff --git a/content/brain-rot/anime/attack_on_titan_anime.md b/content/brain-rot/anime/attack_on_titan_anime.md
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-+++
-title = "Attack on Titan (2013-2023)"
-author = ["Michał Sapka"]
-date = 2024-06-09T17:10:00+02:00
-categories = ["brainrot"]
-draft = false
-weight = 3002
-primary_menu = "brain-rot-anime"
-abstract = "My review of the anime"
-rating = 3.5
-[menu]
- [menu.brain-rot-anime]
- weight = 3002
- identifier = "attack-on-titan-2013-2023"
-+++
-
-_Attack on Titan_ may very well be the defining anime of this decade.
-It started as a huge hit, then it faded into obscurity, just to return with a huge bang and end with huge disappointment.
-
-The premise is quite interesting:
-pre-industrial age; humanity is close to extension, locked behind gigantic walls.
-Outside lives the biggest threat man has ever faced - Titans.
-Race of gigantic, humanoid beasts whose only purpose in life is to attack and devour humans.
-We meet our main heroes - Eren, Mikasa, and Armin, just before the Titans breach one of the walls.
-
-The following 4 seasons differ in quality.
-
-The first one is interesting, but suffers from terrible narration where we are constantly interrupted by internal monologues.
-We either learn what we already know, or random ideas are thrown at us.
-The second one has no idea what it wants to be, and this is where viewership dropped sharply.
-Then came the third one.
-It seems to continue to downward trend from s2, but halfway through everything changes.
-Without spoiling anything, _AoT_ stops being dumb fun and seems to become an intelligent commentary on human condition.
-Before that, I was watching the series because I had nothing better to do.
-After _this_ scene I instantly became invested and shocked.
-Then the fourth came out, developing on what made the third great.
-I was close to calling this a great series, but unfortunately it's all thrown out the window with the 2.5 hours long finale, which is almost entirerly one, long fight.
-So much potential, such great buildup.
-All wasted in the name of a boring action scene.
-I don't remember when was the last time I felt so betrayed.
-
-The great part of _AoT_ takes a lot from history and great fiction like Dune.
-We're seeing great idea one after another.
-The story is full of interesting twists.
-By the end, it's all meaningless.
-
-{{< rating 3.5 "attack-on-titan.jpg" >}}
-Cover
-{{< /rating >}}
-
-Story-wise, the only two redeeming qualities of this series are personal journeys of Eren and Gabi (introduced in S4).
-Only their stories interest me.
-Not that there is anything bad about the rest of the characters, they are ok[^fn:1].
-Run-of-the-mill anime characters.
-
-Yes, the series looks and sound pretty.
-It's full of nicely animated action scenes.
-But I can't stop comparing it to _Evangelion_.
-
-Both series start cool, but are not memorable.
-Then they develop into marvels, pure greatest.
-But _NGE_ never stopped being great.
-After it gained actual meat, it developed it culminating in the greatest movie I've ever experienced.
-Full of story, drama, meaning, and emotions.
-
-_AoT_ ends in _Iron Man 3_ - a prolonged, boring fight scene.
-
-And while the scenes shown during end credits return the series on its track, it changes nothing.
-They nicely connect and develop the great ideas behind the _golden era of AoT_, but they should not be the one good part!
-The ending should be it, as the way it happened is I wasted 2.5 hours filled with boredom.
-
-_AoT_ could have been great, but it is not.
-It's an ok action series with huge unresolved ambitions.
-If it was just a dumb action show, then ok - I would have some fun, then forget it.
-It would fail in comparison of other shows we see now, like Jujtsu Kaisen, but it would be very much ok.
-Unfortunately with added ambition, it ends in a huge disappointment.
-
-It was very close, everything was going great.
-And then it hits a wall.
-
-[^fn:1]: Except of Armin who single handely ruins the first few seasons.
- He is the character who is able to calculate probability to 4 decimal places.
- I see this kind of characters all around modern anime, and every time I have to roll my eyes.
- Remember how _Big Bang Theory_ was often describes at how "dumb people think smart people are"?
- Yeah, that's Armin.
- The same kind of bullshit ruined shows like Kaji or Code Geass for me.
diff --git a/content/brain-rot/anime/dragon-ball/dragon-ball-super-super-hero-2022.md b/content/brain-rot/anime/dragon-ball/dragon-ball-super-super-hero-2022.md
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-+++
-title = "Dragon Ball Super: Super Hero (2022)"
-author = ["Michał Sapka"]
-date = 2024-05-08T23:20:00+02:00
-categories = ["brainrot"]
-draft = false
-weight = 3001
-primary_menu = "brain-rot-anime"
-rating = 1.25
-abstract = "My mirco reviview of the 2022 Dragon Ball movie"
-[menu]
- [menu.brain-rot-anime]
- weight = 3001
- identifier = "dragon-ball-super-super-hero-2022"
-+++
-
-Even though I was raised on _Dragon Ball_ and I adore it up to this day, _Super_ was a huge letdown.
-It played as a washed-out version of _Z_ - there was no tension, the new characters were bland, and it was simply boring.
-The fact the only not-terrible part of the series was one huge tournament didn't help.
-Just give me an adventure!
-
-I also can not say I enjoyed Dragon Ball movies.
-There are a few enjoyable, but most of the time they are either bad or incredibly bad.
-They try to condense interesting story lines into a few dozen minutes, failing miserably.
-Say what you will about pacing, but Toriyama sure knew how to build tension over a hundred episode fight.
-
-And therefore we are here, the _Super Hero_ movie.
-It's the last Toryiama's Dragon Ball.
-I expected nothing and still left disappointed.
-
-The story exists, which is nice.
-We're after the last _Broly_ movie.
-Red Ribbon army still exists, and they want to take over the world again.
-Goku and Vegeta are training, so they won't help.
-It's all up to Picollo, Androids and the young Sayians to save the day.
-
-Who is the main enemy this time?
-A new Cell.
-Yes, Red Ribbon's latest acquaintance happens to be a genius capable of creating a better Cell, Cell Max.
-And this is where the good things about this movie end.
-
-Remember Cell's saga?
-It was long, it was interesting.
-It gave us Android 18.
-It was full of development, horror and surprises.
-None of this is present here.
-The new Cell looks worse than the original, doesn't have any forms nor any spoken lines.
-
-Moreover, the animation is terrible.
-Yes, CGI looks great when still, but when we start to see any fight it becomes unwatchable.
-It's the kind of CGI that is not bad per-se, but still obvious.
-It's clear that what we're seeing here is made by a soulless computer.
-They don't even try to hide it with constant camera shifts.
-CGI can look great, but here it looks lazy.
-
-{{< rating 1.25 "db-superhero.jpg" >}}
-Cover
-{{< /rating >}}
-
-So, wasted Cell and bad animation.
-Do we get anything instead?
-We do - a lot of fan service.
-We meet people from all other series and hear about even more.
-We see return of figting Gohan and a few thinks we've been waiting for since the 90s.
-It's fitting, as we're decades into Dragon Ball.
-The problem is that they are just there and if they weren't, there would be difference.
-Those cute scenes try to mask absence of anything new and interesting.
-
-Unfortunately, we also see Shenron.
-In the old series, every time he was summoned, it was a spectacle and a memorable moment.
-With each occurrence however the characters stop treating him as a force, but more of a goof ball.
-Yes, the first wish we see him fulfilling was creation of pantyhose, but it was part of the plot.
-Here?
-Here Bulma uses him for butt-lift and wrinkle removal, as he became useless.
-
-And this sadly summarizes all modern Dragon Ball.
-It's a low effort, forced return of an old legend.
-It should stay were it was.
-And this movie is one of the worst parts of _Super_.
-It's not **as** bad as Gohan's[^fn:1] whistle-dance, but the fact that it's not the worst of DB doesn't save it from being a insulting goodbye to the Dragon Ball world.
-
-[^fn:1]: I've been told that _Dragon Ball Z Movie 4_ has its share of fans, but I've got no idea how.
diff --git a/content/brain-rot/anime/patlabor/_index.md b/content/brain-rot/anime/patlabor/_index.md
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-+++
-title = "Patlabor"
-author = ["Michał Sapka"]
-date = 2024-04-26T19:11:00+02:00
-categories = ["brainrot"]
-draft = false
-weight = 3003
-primary_menu = "brain-rot-anime"
-abstract = "The Patlabor series"
-[menu]
- [menu.brain-rot-anime]
- weight = 3003
- identifier = "patlabor"
- post = "series"
-+++
-
-Patlabor is one of forgotten great anime series of the past.
-Created by Headgear (Masami Yūki, Mamoru Oshii, Kazunori Itō, Yutaka Izubuchi, and Akemi Takada).
-
-In the not-to distant future humanity develops Labors, humanoid mechs, used in heavy construction.
-With their introduction a new type of crime starts showing up.
-To combat that, a dedicated police force called Patlabor is created.
-
-We've two separate timelimes: following the movies and following the TV series.
-
-{{< menu "brain-rot-patlabor" >}}
-Patlabor
-{{< /menu >}}
diff --git a/content/brain-rot/anime/patlabor/mobile-police-patlabor-the-early-days.md b/content/brain-rot/anime/patlabor/mobile-police-patlabor-the-early-days.md
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-+++
-title = "Mobile Police Patlabor: The Early Days (1989)"
-author = ["Michał Sapka"]
-date = 2024-05-06T22:38:00+02:00
-categories = ["brainrot"]
-draft = false
-weight = 10
-primary_menu = "brain-rot-patlabor"
-abstract = "My review of the OAV"
-rating = 3.75
-[menu]
- [menu.brain-rot-patlabor]
- weight = 3001
- identifier = "mobile-police-patlabor-the-early-days-1989"
- parent = "mtimeline"
- post = " OAV series"
-+++
-
-_Mobile Police Patlabor_ is a 7 episodes long OAV series which serves as an introduction to the more widely known movies.
-The subtitle (_The Early Days_) says it all, as it depicts the humble beginnings of Special Vehicles Unit 2 (SV2), which we will follow in the later installments.
-Think: the first few episodes of _The Wire_.
-We see how they are preparing their base of operation, how they receive their Labors, and so on.
-And that's pretty much all that's here.
-No grand ideas (like in _Movie Two_), not even an attempt at those.
-All we see is how the Unit starts and their first few cases.
-
-It's only this, but it never sets up itself to be anything more.
-Not everything needs to be full of difficult questions and even harder answers.
-_Early Days_ on its own is cool if you're deeply into Mecha, but I am not.
-For me, this OAV is _only_ an addition to the Movies.
-
-But it changed how I look at the first movie.
-I was not sure what it actually was all about.
-Was it pro-technology?
-Was it a warning?
-Well, the opening here is a love song sung by one of the pilots towards her Patlabor (named Alfons).
-Yep, it seems Patlabor was techno-fetishist all along.
-Nothing here prepares us for _Movie 2_, but it makes the first movie better.
-
-{{< rating 3.75 "patlabor-early-days.jpg" >}}
-Cover
-{{< /rating >}}
-
-The seven episodes here are, in order:
-
-- the start of SV2, and we get to know Noa (who is one of the main characters in _Movie 1_),
-- mission to protect the mayor,
-- underwater monster story (sic!),
-- hostage situation,
-- ghost story (sic! again) while the unit is on vacation (with mandatory hot spring scenes),
-- the plot of second movie, but without the smart parts,
-- a long chase scene.
-
-It's all light-hearted and more often than not a bit goofy.
-
-Technically, this is a very pretty anime,
-The movies follow the style we see here, with bigger budgets though.
-But what we see here is a great, old-school animation.
-OAVs tend to look better than TV series, and this one is no exception.
-
-My gripes with the OAV are more with my expectations than with the _Early Days_ themselves.
-It fulfills its aspiration to be a nice, short series.
-Nothing here even points towards bigger ambitions.
-But I saw it after _Palabor 2: Movie_ which was intelligent up to a fault.
-And even though I deeply enjoyed every minute, it's not what I came for.
-
-So, if you liked _Movie 1_ and want more - sure, this series gets my thumbs up (and therefore rating).
-But if the _Movie 2_ floored you but left hungry, don't expect this series to come anywhere that level of ambition nor quality.
-
-{{< img-c "patlabor-early-days-1.jpg" "https://www.imdb.com/title/tt0160423/mediaviewer/rm3156868353/" >}}
-We've got regular mecha fights!
-{{< /img-c >}}
diff --git a/content/brain-rot/anime/patlabor/patlabor-2-the-movie.md b/content/brain-rot/anime/patlabor/patlabor-2-the-movie.md
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-+++
-title = "Patlabor 2: The Movie (1993)"
-author = ["Michał Sapka"]
-date = 2024-04-26T22:08:00+02:00
-categories = ["brainrot"]
-draft = false
-weight = 3003
-primary_menu = "brain-rot-patlabor"
-abstract = "My review of a masterpiece"
-rating = 5
-[menu]
- [menu.brain-rot-patlabor]
- weight = 3003
- identifier = "patlabor-2-the-movie-1993"
- parent = "mtimeline"
-+++
-
-Ok, this one is a difficult movie to write about.
-For a _gajin_ it may come as a visually beautiful, but very convoluted movie.
-But inside, it's deeply rooted in Japan's history and one needs to understand a few facts before truly appreciating it.
-So, before talking about the movie, allow me to take a brief jump into history territory.
-
-{{< rating 5 "patlabor-2-movie.jpg" >}}
-Cover
-{{< /rating >}}
-
-After loosing World War II, Japan was under the USA's occupation.
-Their post-war constitution ha a very important "Article 9" under which Japan was allowed to have defense military force, but it was to be never deployed on foreign soil.
-After few changes, the defense force became Japanese Self-Defense Force, the _JSDF_.
-Decades pass and the population kind of forgot about the WWII.
-Mind you, Nagasaki and Hiroshima lives in their mindset, but war becomes something that was in the past.
-In June 1992, the National Diet passed a UN Peacekeeping Cooperation Law which permitted the JSDF to participate in UN medicalonal Diet passed a UN Peacekeeping Cooperation Law which permitted the JSDF to participate in UN medical, refugee repatriation, logistical support, infrastructural reconstruction, election-monitoring, and policing operations under strictly limited conditions[^fn:1].
-
-Amongst part of Japanese population it was seen as a dangerous precedence.
-JSDF was, in fact, deployed on foreign soil.
-Both creators of _Patlbor_, Mamoru Oshii and Kazunori Itō were vocal opponents of this decision.
-_Patlabor 2: The Movie_ should be seen as their manifesto.
-
-So, knowing this I have to say: _Patlabor 2: The Movie_ is amongst the greatest movies I've ever seen.
-I always say that for me, SciFi for SciFi sake is boring; it can be elevated by using the setting as a mean to tell a human story.
-What's more, I like SciFi movies that are not action-fests.
-And for both of those measures _Patlabor 2: The Movie_ **excels** all expectations.
-
-It is also a huge step-up from _Patlabor: The Movie_.
-While that one had huge potential, but came out lacking in both, substance and form, the _2_ is a gigantic step.
-There were only 4 years between release dates, but I am floored.
-
-Ok, back to the movie itself.
-It's 2002, 3 years after the events of _Patlabor: The Movie_.
-Yokohama Bay Bridge is destroyed by a missile shot from a variation of F-16 Fighter.
-JASDF (Japan Air Self-Defense Force) is blamed for the attack, and a result JSDF is ready to deploy forces all over Tokyo.
-Japan is close to martial law.
-
-{{< img-c "patlabor-2-movie-0001.jpg" >}}
-Don't get used to the old main characters.
-They are barerly here.
-{{< /img-c >}}
-
-{{< img-c "patlabor-2-movie-0002.jpg" >}}
-Even the trickiest of perspectives are spot on.
-{{< /img-c >}}
-
-{{< img-c "patlabor-2-movie-0003.jpg" >}}
-Not much for mecha fans, but quite a lot for aviation fans.
-{{< /img-c >}}
-
-One thing to get straight of the way: there's not much of Labors here to be seen.
-I think there are more shots of fighters and tanks, than there are of the mechs.
-This _not_ a mecha anime even though it is set in a mecha world.
-It's also not an action movie, as most of the scenes are two/three people talking.
-_P2TM_ requires significant attention, as it's all about those dialogues.
-The message is more said than shown and it may be not to your liking.
-Anime is mostly known for imaginative fight scenes and fan service.
-This not that kind of movie.
-It's slow and methodical.
-
-But there are action scenes, and they are glorious.
-_PTM_ was looking great; _P2TM_ sets incredible standards that are often unmatched even today.
-I found it interesting, that the first portion of the movie uses very small color palette - everything is overblown, like in full sun, or lighted by fluorescent lamp.
-People look more like cyborgs than living things.
-Then, when authors start conveying their message, it all changes - the palette broadens and characters even get some tam.
-Subtle and effective.
-The city look incredible, the machines look amazing and characters no longer have perspective problems (like they had in _PTM_).
-Overall, the presentation is perfect.
-Unfortunately the style here seems mostly abandoned.
-It's _distinctly_ Oshii and _Production IG_.
-Anime no longer looks like this movie.
-
-The only nitpick I can find when it comes to the visual aspect is that in a few scenes the snow looks bad.
-That's all.
-
-{{< img-c "patlabor-2-movie-0004.jpg" >}}
-This made me feel things.
-I'd give a lot for such audio setup.
-It even has a great CD transport!
-{{< /img-c >}}
-
-{{< img-c "patlabor-2-movie-0005.jpg" >}}
-Basset, reporting in.
-{{< /img-c >}}
-
-The music is great.
-It's not _Ghost in the Shell_ but Kenji Kawaii is a master of his craft.
-
-The only negative I can find is the main villain.
-He is absent from most of his movie and his motivations are hidden until the very last few scenes.
-His work is ever-present, but he is not here... which is fitting.
-Oshii said that the "evil" character here is himself.
-Everything the villain say is what the director thinks.
-
-_Patlabor 2: The Movie_ is a masterpiece.
-Oshii is one of the most brilliant directors in history, and this movie is one of his magnum opuses[^fn:2].
-It's not only something **every** fan of anime should watch but everyone who enjoys cinematography.
-It's smart, beautiful and haunting.
-It is also a very strong anti-war manifest.
-It dares to put a mirror in front of our faces and _as of this_ type of movie, I fail to find any real flaw.
-
-{{< img-c "patlabor-2-movie-0006.jpg" >}}
-There's some eye candy here.
-{{< /img-c >}}
-
-{{< img-c "patlabor-2-movie-0007.jpg" >}}
-It's not there are no mechs here.
-They are, in very small doses.
-{{< /img-c >}}
-
-[^fn:1]: Source: [Wikipedia](https://en.wikipedia.org/wiki/Japan_Self-Defense_Forces#Peacekeeping)
-[^fn:2]: How many directors have achiever greatness on a few occasions?
- Oshii certainly did!
diff --git a/content/brain-rot/anime/patlabor/patlabor-the-movie.md b/content/brain-rot/anime/patlabor/patlabor-the-movie.md
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-+++
-title = "Patlabor: The Movie (1989)"
-author = ["Michał Sapka"]
-date = 2024-04-11T21:01:00+02:00
-categories = ["brainrot"]
-draft = false
-weight = 3002
-primary_menu = "brain-rot-patlabor"
-abstract = "The proto-GITS is still very nice!"
-aliases = ["/blog/patlabor-the-movie", "//brain-rot/patlabor/patlabor-the-movie", "//brain-rot/anime/patlabor-the-movie/"]
-rating = 3.75
-[menu]
- [menu.brain-rot-patlabor]
- weight = 3002
- identifier = "patlabor-the-movie-1989"
- parent = "mtimeline"
-+++
-
-There was a time when _Patlabor_ was an established name.
-
-It was huge, it had _Mamoru Oshii_.Now, sadly, it's mostly forgotten.
-_Patlabor: The Movie_ is the first from the universe.
-I'll cover the following two soon, as thiis is my rewatch after decades.
-
-{{< rating 3.75 "patlabor-1-movie.jpg" >}}
-Cover
-{{< /rating >}}
-
-The story takes place in the distant future of 1999.
-Manual labor is aided by Labors, huge exoskeletons.
-Tokyo is undergoing a huge project, where old suburbs are demolished and artificial island are created on the coast.
-Some Labors are going berserk, destroying everything on their paths despite being unmanned.
-
-Let's start with the visual feast.
-The movie looks stunning!
-Yes, later movies from IG top what we see here, and sometimes the faces may look weird.
-It's not perfect.
-But if we would simply tell ourselves that this style of animations is the peak and let's just try to maintain the quality, I'd be more than happy.
-The way this 35-year-old movie looks is a testament to the power of manual drawings.
-The design, the camera work, the coloring - I loved every second.
-
-Another cute thing I've noticed: _The Movie_ is an Oshii-type of movie.
-It came in this short period, where _anime_ was treating western culture as something alien and cool.
-We're seeing this in Jin-Roh, Evangelion, GITS, and many others.
-Here we've got the Bible.
-
-But this also shows the biggest problem of _Patlabor: The Movie_: it is shallow.
-On surface level, we've got everything one could ever want: Unabomber-style genius on a quest to stop progress at all cost.
-We're seeing how _old_ is discarded in the name of progress.
-We've also got a huge computer system which is maintained without deep understanding of how it works.
-Basically, 1999 is like 2024.
-But none of this is really developed.
-The main characters never stop and think, that maybe the world is not going the best route?
-Eiichi Hoba, the aforementioned Unabomber, is just a plot device: the viewer is also never confronted with his viewpoint.
-
-As it stands, _The Movie's_ story is disjointed:
-on one side we've got the real and interesting question.
-On the other, no one looks for answers and just accepts the risks of unconstrained growth.
-But maybe this was the point?
-We're seeing the same today: the world is ending, and most people are racing to be the last one to shut down the lights.
-It is scary how believable this is.
-Even the main threat is solved by a software rollback...
-
-_Patlabor: The Movie_ is good on its own, but it suffers from being the proto Ghost in the Shell.
-It's not near as good, nor is it as good as its sequel.
-But taking it at face value is really solid.
-I had huge fun rewatching it, but left unsatisfied for sophisticated sociopsychological treat Oshii is known for.
-
-My rating is 3.75/5
-
-{{< img-c "patlabor-movie-1-0001.jpg" >}}
-Sucide is painless...
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-...It brings on many changes
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-For a mecha anime, we've got a lot of people talking in different rooms
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-Hav I mentioned thast this movie looks stunning?
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-S-T-U-N-N-I-N-G
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-It always amazes me how many anime shows older guys in their undergarments.
-I get, that Japan gets extremely hot during summer, but is it real that frequent?
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-One of many GITS-style scenes.
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